“Clear, appealing voice and expressive conviction.”

The New York Times

About

Soprano Clara Rottsolk has been lauded by The New York Times for her “clear, appealing voice and expressive conviction” and by The Philadelphia Inquirer for the “opulent tone [with which] every phrase has such a communicative emotional presence.”  A brilliant and accomplished concert artist, her solo appearances have taken her across the United States, the Middle East, Japan, and South America.

“With a silken voice capable of extraordinary power” (San Diego Union-Tribune), she has appeared as a soloist with orchestras including Baltimore Symphony, American Bach Soloists, Santa Fe Pro Musica, the American Classical Orchestra, Richmond Symphony, Bach Collegium San Diego, Virginia Symphony, New Mexico Philharmonic, Pacific Symphony, Atlanta Baroque Orchestra, Trinity Wall Street, and Seattle Baroque Orchestra, under the direction of conductors including Grete Pedersen, Nicholas McGeegan, Jeffrey Thomas, Dinis Sousa, Stephen Stubbs, David Danzmayr, Joshua Rifkin, Ruben Valenzuela, Chia-Hsuan Lin, Timothy Nelson, and Andrew Megill.

Also dedicated to chamber and recital repertoire, she performs with ensembles including Les Délices, TENET, Piffaro the Renaissance Wind Band, Colorado Bach Ensemble, House of Time, and Pegasus Baroque. Frequently in demand as a festival soloist, her credits include Carmel Bach, Berkeley Early Music, Montréal Baroque, Spoleto USA, Winter Park Bach, Seattle Bach, St. Louis Bach, Indianapolis Early Music, Whidbey Island Music, and Boston Early Music Fringe. 

Her solo recordings can be found on Chandos, Analekta, MSR Classics, and independent labels. Currently she is based in Philadelphia and teaches voice at Swarthmore, Haverford and Bryn Mawr Colleges. 

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